Arizona Daily Star from Tucson, Arizona • Page 51

THE ARIZONADAILY STAR SKT10N PAGE THREE TUCSON, SUNDAY, APRIL 12, 1970 Gone With The Far East Wind A Colony In The Making Campbell Area Attracting Nears Broadway Of Tokyo Stage of which he built himself. Until he opened the studio on N. Campbell Ave. Merchant's pottery was soli in retail stores, mainly here and in Phoenix. He creates pieces that measure from a half-inch across up to carved bowls that can be likened to bushel baskets in size.

His pottery depends on feldspar as a flux in the glazing of the clay. About four times a year Merchant goes to California to buy fire clay which is dug near San Francisco. One of his best customers is the Rev. Joseph S. McGrath, dean of summer sessions at the University of NoU- Dame.

Since the priest bought his first piece here two years ago he has had Merchant make York and continued her studies here with the late Gerry Peirce, Willard Sheets and Rex Brandt. Today she dramatizes the western mountains and skies on canvas as well as the Spanish American heritage of the Tucson area. She also paints the beauties of the New Hampshire countryside and the richness of the old homes in New England. Mercahtn paints, carves and sculptures. He had his own band for several years before he decided that pottery was his "thing" for life.

He studied art in Seattle and then for a couple of years after the family moved here. A year and a half ago he opened a studio in Oracle. Today he has two furnaces, one James Coco To Star In 'Noon' Film 1970 New York Tlm Ntwi Strvlct NEW YORK Terrence McNally, author of the long-running off-Broadway comedy, "Next," is set to make his screemvriting debut and he's going a bit off Hollywood to do it. The name of the film is "Noon," and it will be based on his contribution to the 1968 off-Broadway triple bill, "Morning, Noon and Night." But the really red hot news is that for his leading man McNally has already signed James Coco, that red hot star of Neil Simon's "Last of the Red Hot Lovers." Coco, who got his big break in the original production of "Next," will play a kooky homosexual who answers a newspaper ad promising sexual diversions in a Manhattan loft. "Noon," which is scheduled to begin filming here this summer, will be co-produced by McNally and Robert Drivas.

Drivas is the young actor who appeared on stage in McNally's "and Things That Go Bump in the Night" and "Sweet Eros." It is quite possible that he will also draw one of the five key roles in "Noon." Tucsonans Will Remember The popularity of Oriental adaptations of such wares as "My Fair Lady," "Oliver" and "Man of La Mancha" prompted one of Japan's big theatrical cartels, Toho, to undertake an original. A straight dramatic version of "GWTW" was a hit there three years ago. Along with Layton, who directed and choreographed, the musical drafted several other veterans of Broadway know-how, including Harold Rome for the score, David Hayes for settings and Lehman Engel as conductor. "We supplied the creative material," says Layton. "The Oriental part was the cast and the complexities of the organization that put up the money.

That was an experience." With a million-dollar investment riding on the venture, Layton recurrently found himself up against the inscrutable, face-saving traditions of the East. "Every time I wanted a decision on some detail," he recalls without rancor, "it took a meeting of the whole board of directors. People there just won't make a commitment until they are sure they can deliver." The lanky, 38-year-old New Yorker also found swift readjustments of method necessary to handle his wayward cast of "79 actors, horses and children." Instead of the rules and regulations of craft unions with which he's been familiar all the way from his Broadway debut in the dancing chorus of "Oklahoma!" to prize work as stager of "No Strings" and "George -Layton found anarchy. Stockholm Philharmonic Records Sibelius' No. 2 performance and it a true delight in your living room concert hall.

When it comes to home "concert halls" probably the most played work is Rimsky-Korsakoff's "Scheherazade." This swirling masterpiece should be most played because there are 25 albums of this musical tale based on the stories from the "Arabian Nights." If you haven't heard it recently and you would like to ACT Director Has Rough Task Frank Castronovo is hard at work at an unenviable task turning about 400 square feet of the Santa Rita Theater into a semblance of nine locations in 16th century England. Castronovo is the technical director for the Arizona Civic Theater, which is presenting Robert Bolt's "A Man for All Seasons" April 23 through May 2 "There are no 'jnions, so 70a work whenever you want. And everybody works in Japan. But the problem is that wages are low, so each person has several jobs. "Even some of the featured performers would be off taping something at 6 a.m., then doing a movie bit So I had to keep juggling the rehearsal schedule and finding rooms at odd hours so the work could go on." Layton insisted on nine weeks of rehearsal time, an apparently unprecedented procedure.

The performers' obedience to his instructions, relayed via an interpreter, was total. "Their discipline is absolute. Their training is all technique and craft. They don't work as much on instinct as we do And they are so dedicated that there's little likelihood of fooling around in parts the way performers sometimes do here in a long run. "In dancing, they are Western-minded.

They duplicate, then improve. It is the greatest carbon-paper country in the world." As an ultimate eccentricity of East vs. West theatrical behavior, the horse in "Scarlett' has the Imperial's fanciest dressing room because it is the only one at stage level and nobody expects an equine to climb stairs. Layton got into the project because for years he has "wanted to do a ballet on the Mitchell book," but found Toho controlled the stage rights. When the musical was proposed, he saw it as a glittering opportunity to explore new felds.

Events Anthony Quinn Tries Again, This Time With Oat-Burner 1970 New York Times News Service NEW YORK Anthony Quinn is the first to admit that his debut as a director in 1958 with "The Buccaneer" was something less than a landmark in the history of the cinema. Yet he's now preparing to have another go at the directing game, this time with a contemporary western called "The Town Takes Two." The story, written by Stephen and Elinor Karpf, deals Places To Go Things To See Rare Art Sells For Millions French Works Vie With Old Masters BY MILES A. SMITH AP Arts Editor NEW YORK If you had millions to spend in the art auction rooms of New York and London, would you go for a rare Old Master or a prime example of the French School of Impressionists and Post-Impressionists? You might go for both, as a few wealthy bidders have. Really important Old Masters reach the open market so rarely these days that when one goes on the block there is intense competition. But meanwhile the best works of the French School have been cracking auction records almost as often as the Old Masters.

That trend began in 1958 when the famous Jakob Gold-schmidt collection was sold in London, the top item a Cezanne bringing $616,000. The trend was amplified in late February of this year when two important works by Vincent van Gogh were knocked down for bids of $1-3 million and $875,000. But it was only last December that two Old Masters scored high figures a Rembrandt portrait at $756,000 and Bassano's "The Flight Into Egypt" at $655,200. Several of the chief contestants in the big auctions have been buying works in both categories. They include New York's Metropolitan Museum of Art, California collector Norton Simon and two members of a famous collecting family, Paul Mellon and his sister, Mrs.

Ailsa Mellon Bruce. For art buffs, here is a summary of peak auction prices in the past dozen years. $2.3 million Rembrandt's "Aristotle Contemplating The Bust of Homer," purchased by 4he Metropolitan Museum of Art at Parke-Bernet Galleries in the sale of the Alfred W. Erickson collection, Nov. 15, 1981, New York.

$2,234,400 Rembrandt's portrait of his son Titus, from the collections of Sir Herbert Cook, sold March 19, 1965, at Christie's, London, purchased by the Norton Simon Foundation. $1,550,000 Renoir's "Le Pont des Arts, purchased Oct. 9, 1968 by the Norton Simon Foundation at Parke-Bernet. Formerly in the collection of Mr- and Mrs. W.

Clifford Klenk. This is the record auction price for an Impressionist painter. $1,411,200 Monet's "La Terrasse a Sainte Adresse," from the collection of the Rev. Theodore Pitcairn, purchased at Christie's, London, by the Metropolitan Museum of Art, Dec. 1, 1967.

$1.3 million Van Gogh's "Le Cypres et l'Arbe en Fleurs," from the estate of William W. Crocker, sold at Parke-Bernet Galleries Feb. 25, 1970. The buyer was not identified. $1,159,200 Rembrandt self-portrait, purchased at Christie's by the Norton Simon Museum June 27, 1969.

$982,000 Giovanni Battista Tiepolo's "An Allegory of Venus Entrusting Eros to Chronos," sold at Christie's June 27, 1969 to the National Gallery, London. This was a "lost" work discovered on one of the ceilings of the United Arab Republic Embassy in London in 1965. $875,000 Fragonard's "La Liseuse," purchased for the National Gallery of Art, Washington, through a gift from Mrs- Ailsa Mfcllon Bruce, from the Erickson collection at Parke-Bernet, Nov. 15, 1951. $875,000 Van Gogh's "Le Laboureur," from the estate of William W.

Crocker, sold at Parke-Bernet Feb. 25, 1970, to the Beyeler Gallery of Zurich, Switzerland. $800,000 Cezanne land-: scape, "Maisons a l'Estaque" from the collection of Mrs. Marius de Zayas, sold at Parke-Bernet Oct 14, 1966, liow in the Paul Mellon collection. $770,000 Rubens' "Adoration of the Magi" from the estate of the Duke of Westminster, sold at Sotheby's, London, June 24, 1959, to an agent for Maj.

Frederick All-natt, who presented it to King's College Chapel, Artists candlesticks and other pieces upon order. Edgar Loucks of Tubac will be joining Merchant shortly in the studio. Loucks silver jewelry, bronze pieces and his leather purses, belts, vests and jackets will be displayed. Mrs. Eula Garrison, a new resident of Green Valley, will show her paintings Friday and Saturday under the sponsorship of the Green Valley Merchants Assn.

The exhibition will be in the Green Valley Mall both days from 8:30 a.m. to 6 p.m. She paints in oils with brush and palet knife. Besides studying with Tucsonan Lucille Martin, she studied art in Boulder City, and with several well-known western art teachers. have a vivid production of the sounds of the sea and wind, then give a listen to a new Angel recording (SFO-36034) by the Chicago Symphony under the direction of Seiji Ozawa.

This is as good a "Scheherazade" as I have ever heard and if you are looking for a way to encourage a youngster to listen to good music there is no better way than to start with "Scherherazade." Magic music like this can start all sorts of good things. 'Chips' Director Teams Up With Rock Author 1970 New York Times Ne's Service NEW YORK The pairing of the director of "Goodbye, Mr. Chips" and the author of "Viet Rock" does not sound like a marriage made in Hollywood heaven. And yet Herbert Ross and Megan Terry are planning to do a movie together, with the blessings of MGM. They are already off to India, as a matter of fact, to do preliminary work on their still-untitled project about young Americans who go east seeking life's Big Answers.

Both Ross and Miss Terry have taken 16 millimeter cameras with them and they hope to record much of what they see in the western expatriate communes of India. er for the summer. This art school, accredited to the University of Guanajuato, regularly has 600 art students enrolled for the summer courses. Hill will speak to members of the Southwestern Water-color Society Tuesday at 7:30 p.m. when the group meets at St.

Philip's in the Hills Episcopal Church. ST. PHILIP'S IN THE HILLS EPISCOPAL CHURCH GALLERY 1900 E. River Through April 28: Paintings by Louis Janssen of Bree, Belgium. Tuesdays, Thursdays and Saturdays 2 to 5 p.m., Sundays 10 a.m.

to noon, 2 to 5 p.m. TRAVELER WEST 3625 N. Campbell Ave. Through April: "Tropical small watercolors by William Musick. Mondays through Saturdays 10 a.m.

to 5:30 p.m. TUCSON ART CENTER 325 W. Franklin St, Through April: Western oils, water-colors and drawings of Olaf Wieghorst, on loan; Little Gallery through Tuesday: National League of American Pen Women; April 16 through 'Scarlett' By Way By WILLIAM GLOVER AP Drama Writer NEW YORK As a tryout town for Broadway, director Joe Layton regards Tokyo with warm, if wary admiration. "The show business problems you are used to never happen," says the award-winning stager. "Instead, things turn up that really keep you moving." Layton, in case your hot line to Japan is out of order, reaped high praise for a musical version of "Gone With the Wind" which opened recently to SRO business at Tokyo's Imperial Theater and which transfers soon to Expo '70 at Osaka.

A Broadway presentation, with American players, is planned for next season. The four-hour extravaganza, renamed "Scarlett" after the heroine of Margaret Mitchell's 1937 Pulitzer Prize novel, is the first made-in-Japan production structured totally on Western entertainment techniques. actors and a boat at the front of the stage. "Whenever actors must fight the scenery for the attention of the audience, you haven't created a set," Castronovo maintains. "A set should always enhance the actor help him create the illusion of the play." A civic theater with a limited budget can't go overboard on props, so Castronovo and his assistants will have to look hard and long to find, among other things, plumed Spanish hats, an antique leather portfolio, pewter mugs, three letters written in the manner of the period, a wooden oar and velour clothes.

Costumes, beards and wigs of the 16th century also are part of the backstage crew's duties, and in the case of the actor playing Henry VIII, they will have to do some reconstruction. It seems that through a mix-up in instructions, he went home one night recently and razed a lush strawberry-red beard which was sorely needed for the part. The cast for "Man for All Seasons" includes Jerry Newman, Don Starr, David Kle-van, Evans Thornton, Betty Ledford, Jane White, Paul Thomas, Henry Kendrick, Roger Reed, Larry Bramble, Jan Czechowski, Bill McLaughlen and Bob Tindall. Tickets are available at the ACT office, 2720 E. Broadway, or at the theater door.

Musical Scenes From Broadway On Tony Show NEW YORK Sequences from the three Broadway musicals nominated for Tony awards this year "Applause," "Coco" and "Purlie" will be featured on the Antoinette Perry Awards telecast next Sunday. Katherine Hepburn of "Coco," Lauren Bacall of "Applause" and Melba More and Cleavon Little of "Purlie" all personal Tony award nominees, will do numbers from their respective shows. The 24th annual presentation of the American Theater Wing's Tony show will be broadcast over NBC from the Mark Hellinger Theater. Cohosts will be Julie Andrews, Walter Matthau and Shirley MacLaine. Among presenters will be James Stewart, Patricia Neal and Michael Caine.

Deepest gorge in all of North America is believed to be the Grand canyon of the Snake river in Idaho. By CATHRYN McCUNE The 3000 block on N. Campbell Ave. is developing into a self-contained artists' colony. In this one block on the west side are the Le Wells and the Knox and Campbell galleries, the new studio of William Merchant Stoneware, Harrison Moore's Framing Studio, where The Group has a continuous exhibition, and Ted Of-fret's Photo shop.

Le Wells moved her gallery next door to 3023 N. Campbell from where she was originally because she needed more space. So Merchant, a potter from Oracle, opened a studio in her former room at 3027 N. Campbell Ave. The Wells gallery is open Mondays through Fridays from 9 a.m.

to 5 p.m. and on Saturday afternoons. And there is enough room for both Mrs. Wells and Charles Paris to have individual studios. The desert landscapes and western paintings of Paris are featured along with landscapes done by Mrs.

Wells. Featured is stoneware by Philip Bellomo, Betty New-bert, Joel Edwards, Stuart Goldberg and Ruth and Stan Walters. Also featured is sculpture by Steve Mockin, Eva Cossock, Karen Kykendal and Betty Neubert and the stitchery of Vinnie Hinz. Paris, a Tucsonan for 13 years, will help Mrs. Wells operate the gallery.

A native of Greensboro, N.C., he was an illustrator in New York City for some 20 years. He studied at the Art Students League, the Grand Central Art School and the Pratt Institute. In New York he also worked for Paramount Public Theaters and in the art department of John Wanamaker. Horses appear in many of Paris' paintings. Even when he lived in New York he owned them and he studied them in action, going to the race tracks to sketch them during the early morning workouts.

For 25 years Paris has been a freelance artist, but this is the first time he's had an outlet for his work here. He's always sent his art to the East to be sold. Knox and Campbell opens its April show today with the oils of Yasu Eguchi and water-colors of Edith Berryman. Eguchi gained international status at the national exhibition at the Tokyo Museum of Art in 1963 and received the "Selective Artist Award" given by the Yokohama Art Museum in 1965 at the Kanagawa Art Exhibition. He received other awards in Tokyo and Ginza before he came to this country.

His work has been praised by critics in California and New York for its "genuine quality of masterly brush strokes, simplicity of tone and harmony of color." Mrs. Berryman studied art at the Pratt Institute in New What's Showing At Tucsonan Tom Hill, member of the American Watercolor Society, has won a top award in the society's annual exhibition now in progress in New York City. He will go to New York April 20 to attend the dinner April 22 at the Salmagundi Club and receive the Gerhard C. F. Miller Award for his AMERICA WEST 81 N.

Park Ave. Through April: Pre-Columbian art of Mexico and Costa Rica; basket masks from Sepik River area of New Guinea. Monday through Friday. ARTISTS LEAGUE OF TUCSON 6001 E. Broadway.

Today only: Annual spring outdoor art show of members and non-members. 1 to 5 p.m. BOYER GALLERY 1848 E. 6th St. Through May 2: small animal figures forged in iron by Tom Bredlow.

Tuesdays through Saturdays 10 a.m. to 5 p.m. CHUCK WINTER ART GALLERY 2402 E. Grant Art In Tucson Symbol Denotes Admission Charge Family Outings Randolph Park Children's Zoo: Mammals, birds and reptiles. Open daily from 10 a.m.

to 5 p.m. at the park, off S. Country Club Rd. at E. 22nd St.

Old Tucson: Motion picture and television set and western amusement park, located 13 miles west of the city in the Tucson Mountain Park. Open daily 9 a.m. to dusk. Museum Village: House of Carving, Stan's Museum of Memories, Museum of Butterflies and Insects, a blending of science, craftsmanship and historical antiques, near Old Tucson at 2740 S. Kinney Rd.

Picnic sites. Arizona State Museum: Southwestern Indian exhibits. Park Ave. and University Boulevard. 10 a.m.-5 p.m.

weekdays; 2-5 p.m. Sundays. Arizona-Sonora Desert Museum: More than 450 varieties of live animals and plants of the desert Best route; West on Speedway Blvd. or Ajo Way into Tucson Mountain Park. Open 9 a.ro.

to sundown. with a rancher who seeks vengeance for the lynching of his son. "I think the story reflects what's happening around me," Quinn said. "Through it, I hope to show both sides of the coin of that generation gap we're constantly hearing about. I'm trying to convince Marlon Brando to play the rancher, and I may even play the small role of a Mexican doctor myself "I'm not forgetting that I'm an actor," Quinn went on, "but I decided to direct this film because, frankly, I'm finding it difficult to get excited about some of the roles being offered to me these days." Although one-half of Mexico lies within the tropic zone, only its coastal regions and Yucatan peninsula have tropical climate.

By ROBERT MOORE The Stockholm Philharmonic made friends and influenced people when it visited Tucson earlier this year. Now, those friends and influenced people can hear the Stockholm again on a splendid new recording of Jean Sibelius' Symphony No. 2. Antal Dorati, the conductor of the Stockholm, proved to be a most personable individual when he was here. He rules the orches tra with a firm hand, but he al-1 his players plenty of latitude.

Dorati takes the position that a happy Record Turntable musician makes a good sound. Certainly the Stockholm's performance on an RCA Victor album (VICS-1318 is one of the best of the recordings of the Sibelius symphony. One of the strengths of the Stockholm is its excellent woodwind section and this is certainly evident on this record. Early in the score is a flute-bassoon duet that paves the way for the romantic woodwind fanfare that becomes the majOF theme in the symphony. Combining a bassoon and a flute is like putting a dog and a cat in a cage and expecting harmony.

But it can be done, as the Stockholm proves here. The duet is played beautifully and the symphony becomes filled with pictures of the countryside of Finland. In fact the symphony is filled with little duets and trios which set up major portions of the work. These are vital to the score and the Stockholm proves the master of each beautiful bit. The symphony is filled with poetry and emotion in this The Galleries Shares transparent watercolor 'Street in San Miguel." This is the 103rd annual exhibition staged by the national watercolor group open to members and non-members alike.

Besides Hill's picture, Tucson is represented by one of the late Gerry Peirce's paintings. Mrs. Peirce entered one Rd. Through April. 26: New charcoal and watercolors by Corinne West and recent paintings by Alfred Owles.

Tuesdays through Saturdays 10 a.m. to 5 p.m. GALLERIE SOROKIN 2559 E. Ft Lowell Rd. "Variations, 1-2-3" by Davis Soro-kin.

Tuesdays through Saturdays 10 a.m. to 5 p.m. Wednesdays 7 to 10 p.m. THE GROUP 3029 N. Campbell Ave.

Oils, water-colors, acrylics, collages, sculpture by members. Tuesdays through Saturdays 2 to 5 p.m.; Sundays 9 a.m. to 5:30 p.m. KNOX AND CAMPBELL GALLERIES 3015 N. Campbell Ave.

Through April: Oils Special Thursdays through Sundays. On the theater's small stage Castronovo must create an impression of four different homes, a river dock, the interior of a cathedral, a dungeon cell, a courtroom and a rose garden. These are all landmarks in the story of Sir Thomas More, the Catholic chancellor of England who died rather than condone Henry VIlI's attempt to divorce his queen. Bolt's play centers on More's internal conflict and resistance to both temptation and coercion. Director Sandy Rosenthal is counting on Castronovo to build moods of the various locations through the use of a single unit set and ingenious lighting.

"The lighting must be kept subdued," said Castronovo. "Part of the mood of the candle-light period, the church-oriented people can be obtained from the correct shadows non-light can be as important as light in the right places." To transport the audience to the Hampton riverside, Castronovo plans to project an undulating, shimmering waterlike light on the screen behind the actors. The rest of the stage will be blacked out except for overhead spots on the Another watercolorist whose work is on display is W. E. Musick, member of Maverick Artists.

At Traveler West, 3625 N. Campbell his small watercolors, "Tropical Mexico," are on display for the rest of the month. Pictures painted in various spots around the world are on exhibtion at the Hop Toad, 140 S. Kolb until early in May. 30: Boyd Nichol photographs.

Sundays 1 to 5 p.m., Tuesdays through Saturdays 10 a.m. to 5 p.m. TUCSON JEWISH COMMUNITY CENTER ART GALLERY 102 N. Plumer Ave. Through April 19: Second annual Southwestern Art Festival.

Mondays through Thursdays 9 a.m. to 10 p.m., Fridays and Sundays 10 a.m. to 5 p.m. UNIVERSITY OF ARIZONA MUSEUM OF ART -E. Speedway at N.

Olive St Through April: Paintings of Philip C. Curtis, Scottsdale surrealist; permanent Samuel H. Kress and Gallagher Memorial Collections. Mondays through Saturdays 10 a.m. to 5 p.m., Sundays 2 to 5 p.m NYC Watercolor Awards of his latest paintings "Mag-dalena, N.M." The exhibition includes 300 paintings done by 300 water-colorists.

At the dinner the society will present 34 awards totaling more than $7,000. Hill has just been notified by the director of the Instituto Al-lende in San Miguel that he has been accepted as a teach- Polo every Sunday: 3460 N. Columbus, opposite Christopher City, starting time 2 p.m. Southwestern Art Festival: Tucson Jewish Community Center, through April 19. Playbox Theater: Thursday through April 18, "Halfway up the Tree," Traildust Town, 8:30 p.m.

$. Tucson Festival Week: For events, times and places contact Tucson Council of the Arts, 2720 E. Broadway. Sunday Evening Forum: "The Two Berlins," film and lecture by Raphael Green. University of Arizona Auditorium, 8 jh.

University of Arizona School of Music: Symphonic choir concert, 4 p.m. today, auditorium. Jewish Community Center: Rabbi Shlomo Carlebach folk guitar program, 8 p.m. today. Indian Wars Memorial Encampment: Ft Lowell Park, 9 a.m.

today to midnight. International Music Festival: Tucson Symphony Festival Orchestra, Palo Verde High School Auditorium, 8:30 pan. Tuesday. Glimpses Of The Past San Xavier del Bac Mission: Built in the 18th Century, Masses daily at 8:30 a.m., Sundays 8:30 and 10:30 am. and 12:30 p.m, Historical lectures every day except Sunday hourly from 9:30 a.m.

to 4:30 p.m. Seven miles southwest of Tucson cc S. Mission Rd. Fort Huacnuca Historical Museum: Display of exhibits ranging from Indian cavalry days to the present at Ft Huacnuca Open weekdays 9 a.m. to 4 p.m.

and Sundays 1 to 4 p.m. Museums Arizona Pioneer's Historical Society: Weekdays 9 a.m. to 5 p.m. and Saturdays 9 a.m. to 1 p.m.

Library hours 1 am to 5 p.m. Tuesday through Friday; Saturdays 9 am. to noon; and Sundays, 2 to 5 pm. Photographs and paintings of the John Wesley Powell Colorado River expedition of the 1800s. University of Arizona Mineralogy Museum: Located in Geology Bldg.

on UA campus, weekdays 8:30 ajn. until 4:30 pjn. Saturday 8:30 am to noon. by Yasu Eguchi and water-colors by Edith Berryman. Tuesdays through Sundays 10 a.m.

to 5 p.m. LE WELLS GALLERY 3023 N. Campbell Ave. Desert landscapes and western paintings, stoneware, sculptures, stitchery. Mondays through Fridays 9 a.m.

to 5 p.m. Saturday afternoons. MERCADO DE ARTES 4299 N. Campbell Ave. Today only: Artists and craftsmen display and sale.

Today, noon to dark. ROSEQUIST GALLERIES 2843 N. Campbell Ave. Through April 24: New works by Ross Stefan. Mondays through Saturdays 10 a.m.

to 5:30 p.m. 1.